Dear Readers,
As a person who plays around with the title of "writer," I find the idea of wanting that label requires me to fulfill certain requisites. While I could provide a laundry list of what I and more experienced writers believe what-constitutes-a-writer, I want to dwell on one: the quotidian.
As a writer one must always be on the look out for the ordinary and how to turn those ordinary observations into the extraordinary. This, I guess, was always an innate ability of mine--to seek out minutiae. Often, I would stare out of the car window on long road trips saying nothing, taking in long pollution ridden whiffs of the post-industrial landscape of
I learned slowly that talking is also a requisite for normal social interaction in a vehicle. But tonight, as I wrote my
- planting a tree at your nepotism-ridden former high school
- the no outlet sign cemented-in at the end of your home's lane (a symbolic gesture of Uniontown social life)
- one of the largest crosses in the world constructed on the Chestnut ridge mountain, noticeable from five miles away as I pass the no outlet sign (a symbol too of my distant, but still shimmering spiritual life)
- wondering why my monster trail mix from Target has an inordinate ratio of raisins to "good shit" (Damn you Archer Farms. Your satisfaction guaranteed is a marketing ploy.)
Not to say we should read into everything in our routine day-to-day, but be on the lookout for the shoe hanging over the electric wire, the mitten smooshed into the sidewalk, what your hometown is famous for (ours is the home of the Big Mac). What does the quotidian mean? Sometimes nothing, but sometimes a lot, so be observative, but don't get caught up in noticing the arrangement of box stores that you forget to talk with your friends and family.
Goforth and See,
Daniel Webster Jr.
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